19 November 2008

The Cardiff Arcades Project



Friends in Cardiff have for few months embarked on a place-making project. The Arcades Project: A 3D Documentary explores the famed arcades of Cardiff. The city is known for having the highest concentration of Victorian and Edwardian arcades in the UK, hence its rebranding as the city of arcades (not just rugby folks).

The lead artist Jennie Savage assisted by Andrew Cochrane have developed a series of art events and responses to Walter Benjamin's unfinished Arcades Project on the the Parisian arcades. The events both interrogate the spaces from theoretical and aesthetic perspectives, but they also seek to engage with the communities of businesses, patrons and passersby who frequent the arcades, activating and enhancing the social percolations of urban architecture in inner city Cardiff.

The project features artist talks, peripatetic media (a la Janet Cardiff) and a 3D mapping project. Savage's process focuses on response and interaction with others hoping to draw out the constellations of linkages and meanings shared by all those frequenting the arcades.

Wander over to the project home site and peek into their happenings.

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14 November 2008

Fearghus O'Conchuir's Fox in Foley Street Park




Fearghus O'Conchuir's choreography and performance art interrogates the capricious, flowing  relationships between bodies and buildings through contemporary dance. In January 2008, Stéphane Hisler and Bernadette Iglich brought his choreographed work 'Fox' into Foley Street Park in the Monto.

Fearghus is an artist in residence with Dublin City Council and works between Dublin and London. His recent work 'Niche' at the Project Arts Centre explored the ways we all try to find our place in the world.

I feel that Fearghus' work and his process of reflective/reflexive research (externalised on his blog) is a good example of artistic practice that synergises with the aims of the collaborative elements of our project. Have a read of his blog and let me know what you think...

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13 November 2008

Clanbrassil Street by bike


Thought it might be useful to consider the streetscapes we're studying as flowing corridors rather than just static facades...

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07 October 2008

Streetmapping: Artist Lian Bell from Out of Site Festival 2007

Dean Street pavement, Dublin
Sunday 26 Aug
12pm-6pm


I planned to draw a map in chalk on the pavement of the Liberties area of Dublin, by asking passers-by for advice. The Liberties is an old area of the city full of intricate streets which have seen vast development recently and which looks set to continue at a hectic pace. The local community is an eclectic mix of older people, people who’ve lived locally their whole lives, immigrants, students and young professionals moving in to newly built apartment blocks. There is a lot of social housing in the area, with the reputation of being one of the poorest parts of the city centre, as well as having a recognised drug problem. However, parts of the Liberties are being gentrified and local businesses combine traditional markets (Thomas Street and Meath Street) with architecture and design studios, art galleries and antique shops (Thomas Street and Francis Street).

I moved into an apartment on Francis Street recently and don’t know the layout of the area at all well. To draw a map, I’d need a lot of help from passers-by. I was a little worried that if it didn’t work, or if something negative happened I would still be living around the corner. I did an hour of mental preparation before I headed out. It was a warm Sunday afternoon at a busy intersection with a wide pavement. Businesses nearby were open – a video, tanning and internet shop, a bookmakers, two pubs (Fallon’s and Nash’s), a Spar and a gallery.

As soon as I’d written a sign on a sandwich board (Hello. I’m drawing a map of the area. Can you help?) someone stopped and asked what I was doing. A young man living locally who was so enthusiastic about the idea even before I’d opened a box of chalk I was quite surprised. He promised to return later in the afternoon and even to bring me some water.


I drew the opening part of the map: what I could see from the pavement of the intersection and the street signs that were visible. I marked where we were with an X. Though I do know many of the main roads (probably about 15% of the map) and their names, I only wanted to fill in what people told me to, with the spelling mistakes, the warped scale, the missing streets.

Apart from one bathroom break, from about 12.15 to 5.45 I had about four 5 minute breaks – the rest of the time was filled with talking to people, explaining the project and filling out the map. In terms of getting people involved the event was far more successful than I had imagined it would be. People stopped and talked for long periods of time, argued with each other about the layout and names of streets, phoned and texted friends for help, returned through the afternoon, went to get other people to come and help, went to find out the names of streets they had forgotten. There were no negative comments (to me anyway) and the enthusiasm people had for the idea was a little overwhelming.


I regret not having more time to take stock of what was going on, maybe make a note of some of the stories and local history that people came out with and ask more about specific things that arose.

Attitudes towards the map ranged from puzzle-solving to friendly competition. Some people focuse¬d on how to make sections join up, some wanted to have their street put on it, some wanted to just make sure they added some street or placename to it. Some people sounded concerned with my request for ‘help’, asking if I needed directions. A couple of people offered maps.

All kinds of people stopped – tourists, locals, Dubliners, immigrants, kids, architects, a local historian, a couple of junkies, an alcoholic street artist, students. Irish, French, Swedish, German, Polish, American. Men came back and forth from the two pubs. A passer-by insisted on giving me 5 euro. Someone bought me a coffee. A young man from the bookies and a young woman working in a gallery around the corner came back throughout the afternoon. People chatted to each other around me.

Someone started talking about how there wasn’t enough street art in the area. A woman living in Blackpitts said the council should have a ‘real’ map of the area carved into the pavement – she was always giving directions to people who were lost around the area. Someone suggested varnishing the chalk map to the pavement. Some people were happy for me to cheat the map in the areas where the scale didn’t match up, others got me to rub out bits that were wrong.

The first man came back and talked about doing a version based around disabled access. One woman marked in a local food co-op with its opening times. One kid wrote his name in a corner. A man marked the layout of a local derelict church and an underground river. I gave a couple of boxes of chalk to kids and one to the street artist, who said he liked to draw Vikings and then played Raglan Road on a tin whistle for me.

At 5.45pm I packed up. Someone in the doorway of Fallon’s offered me a pint, but I was tired and went home.





-Posted courtesy of Lian Bell

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