The Cardiff Arcades Project

Labels: archaeology, architecture, art, material culture, performance, visual art

Labels: archaeology, architecture, art, material culture, performance, visual art
Labels: performance
Labels: performance


Apart from one bathroom break, from about 12.15 to 5.45 I had about four 5 minute breaks – the rest of the time was filled with talking to people, explaining the project and filling out the map. In terms of getting people involved the event was far more successful than I had imagined it would be. People stopped and talked for long periods of time, argued with each other about the layout and names of streets, phoned and texted friends for help, returned through the afternoon, went to get other people to come and help, went to find out the names of streets they had forgotten. There were no negative comments (to me anyway) and the enthusiasm people had for the idea was a little overwhelming.
Attitudes towards the map ranged from puzzle-solving to friendly competition. Some people focuse¬d on how to make sections join up, some wanted to have their street put on it, some wanted to just make sure they added some street or placename to it. Some people sounded concerned with my request for ‘help’, asking if I needed directions. A couple of people offered maps.
All kinds of people stopped – tourists, locals, Dubliners, immigrants, kids, architects, a local historian, a couple of junkies, an alcoholic street artist, students. Irish, French, Swedish, German, Polish, American. Men came back and forth from the two pubs. A passer-by insisted on giving me 5 euro. Someone bought me a coffee. A young man from the bookies and a young woman working in a gallery around the corner came back throughout the afternoon. People chatted to each other around me.
Someone started talking about how there wasn’t enough street art in the area. A woman living in Blackpitts said the council should have a ‘real’ map of the area carved into the pavement – she was always giving directions to people who were lost around the area. Someone suggested varnishing the chalk map to the pavement. Some people were happy for me to cheat the map in the areas where the scale didn’t match up, others got me to rub out bits that were wrong.
The first man came back and talked about doing a version based around disabled access. One woman marked in a local food co-op with its opening times. One kid wrote his name in a corner. A man marked the layout of a local derelict church and an underground river. I gave a couple of boxes of chalk to kids and one to the street artist, who said he liked to draw Vikings and then played Raglan Road on a tin whistle for me.



Labels: art, performance